The Eminem Blog

The song ‘Git Up’ from the D12World album has a lot of energic beats.
Although the words are mostly offensive, it creates an enthousiastic athmosphere and it’s a real pleasure to listen to it.
Kon Artis descibes the song as ‘pure adrenaline’:
‘Em created a track that is just pure adrenaline. We just went in the studio and tried to destroy whatever people might think about D12. Any backlash that Em has to deal with from the press we go through together. D12 is more than a group, we’re brothers.’
There is a lot of solidarity inside of the D12 group and all 6 members strongly fight against the press’ usual stereotypes.
You will probably enjoy Eminem’s rapid flow in the song and the way he plays with similar sounds. Eminem perfectly knows how to handle the same assonances inside of rhyme like a real poet does.
The D12 criminals are far from being ordinary club visitors, they have no hidden intentions. They are trouble makers who will enjoy seeing the situation escalating. They will take you by surprise, whether you like it or not.
Eminem’s introduction makes us think about bullets flying from a pistol. You won’t escape to them. A crazed Slim Shady will shoot his words at you:
’10, 9, 8, 7, 6, 5, 4, 3, 2, 1
Ready or not here we come, here comes trouble in the club
11, 12, 13, pistols big as M 16’s
How the fuck we sneak in with this many heaters in our jeans
Nina, 2 nina’s, a peace and they dont even see us
Some shit pops off we squeeze each one they gon’ think its machine guns
Vanos vo vano, bananas in our flannels
Hands around our colt handles, hold them like roman candles
Vannas vo vannas, banana fanna fo fannas
Who come back all bananas, banna clips loaded
Managers, bouncers and the club owners, the motherfuckers dont want us
To come up and rush in the club and run up in it with a bunch of
Motherfuckers from Runyan, steady poppin them onions,
Ready set to go nut up, prepare to tear the whole club up
Fixin to get into some shit just itchin to choke someone up
You know we finna loc’n when we mixin coke with coke and nut rum up
Yeah Yeah oh, what up, see my people throw shit up
See you talk that hoe shit now when you down you dont get up
And can’t sit up your so slit up, the ambulance wont sew you up
They just throw you up in the trunk once they tag your big toe up
Heater no heater, automatic no matic
Mac or no mac it dont matter if I have or dont have it
You never know what im packin’ so you just dont want no static
And open up a whole can of whoop ass you dont wanna chance to
Risk it no biscuit, mili mac a mac milli
Really homie dont be silly, homie you dont know me really
You’re just gonna make yourself dizzy wonderin what the dealy
Fuck it lets just get busy D Twizzys back up in the hizzy!’
His fellows soldiers from Runyan Ave are ready to back him and to start trouble as quickly as possible. Swifty’s words are a dangerous bomb that will make you explode instantly. He will leave you with no breath and disconnect your soul:
‘I keep a shit load of bullets a pitpull to pull it out
And automatically explode on motherfuckers until they mouth be closed permanently
You get burned until i quickly you can not hit me niggaz to terrified to come get me,
Tempt me if you think Swifty won’t send a slug, people run,
When the reaper comes, the repercussions’ gon’ leak your blood,
Inglewood, steepin’ without a weapon, you leave, you gone,
I’m still runnin’ with stolen toasters while on parole,
Snatch you out our home, like eviction notices hoe,
When I unload, I’m known to never leave witnesses to roam,
When I’m blowed, I’ll write the wicked in scroll,
At the toll, when I’m sober I’m prone to roll up and disconnect your soul, nigga.’
There is a message in ‘Git Up’. It also targets many negative press critics. Eminem warns his critics and enemies to stop hating.
The reasons why they keep hating is due, most of the time to a great misunderstanding of their words. Kuniva will put things clear. He is well weaponed to definitly shut your mouth:
‘Now it’s proven it’s about to be a misunderstanding
In furniture moving, bullets flying, lawyers & mothers suing
Cause niggas don’t know the difference, you bitches just stick to fiction
It’s sickening, you can’t even walk in my jurisdiction rippin’ it,
Grippin’ the pump and who wanna fuck with a walking psychopathic
Pyromaniac shady cats with 80 gats
And maybe thats the reason that you gon’ get it the worst a
And since you jumpin’ in front of everybody you gon’ get it first
I dispurse the crowd with something vigor and versatile
So go on and record you verses now while you got a mouth,
And it’s not a joke, it’s some kind of riddle,
Kunizzle will lift up a 12 gizzle and throw a party from my equittle,
And a glock that you stop you from waking,
Bullets’ll hit your liver, I’ll even shoot native americans,
A Indian Nigga, we back in you life and back in your wife,
Hit you in the back with a knife and get it crackin’ tonight.’
‘Git Up’ is a well written track where Eminem, Swifty and Kuniva’s lyrical talents are enlightened.
“Git Up”
10, 9, 8, 7, 6, 5, 4, 3, 2, 1
Ready or not here we come, here comes trouble in the club
11, 12, 13, pistols big as M 16’s
How the fuck we sneak in with this many heaters in our jeans
Nina, 2 nina’s, a peace and they dont even see us
Some shit pops off we squeeze each one they gon’ think its machine guns
Vanos vo vano, bananas in our flannels
Hands around our colt handles, hold them like roman candles
Vannas vo vannas, banana fanna fo fannas
Who come back all bananas, banna clips loaded
Managers, bouncers and the club owners, the motherfuckers dont want us
To come up and rush in the club and run up in it with a bunch of
Motherfuckers from Runyan, steady poppin them onions,
Ready set to go nut up, prepare to tear the whole club up
Fixin to get into some shit just itchin to choke someone up
You know we finna loc’n when we mixin coke with coke and nut rum up
Yeah Yeah oh, what up, see my people throw shit up
See you talk that hoe shit now when you down you dont get up
And can’t sit up your so slit up, the ambulance wont sew you up
They just throw you up in the trunk once they tag your big toe up
Heater no heater, automatic no matic
Mac or no mac it dont matter if I have or dont have it
You never know what im packin’ so you just dont want no static
And open up a whole can of whoop ass you dont wanna chance to
Risk it no biscuit, mili mac a mac milli
Really homie dont be silly, homie you dont know me really
You’re just gonna make yourself dizzy wonderin what the dealy
Fuck it lets just get busy D Twizzys back up in the hizzy!
[Eminem – Chorus]
Git Up Now!
Lets get it crackin, Git, Its on and poppin
Its D12 is back up in this bitch, uh, there aint no stoppin
We’re gonna get it crackalatin
What you waitin for the waiters orders
Say no more fo tryin to play the wall and quit hatin
Git Up Now!
Notice you’re sittin, what the fuck is you deaf
You motherfuckers dont listen, I said,
We bout to get this motherfucker crackalatin’
Quit, procrastinatin’
What the fuck you waitin for get off the wall and quit hatin
[Swift]
I keep a shit load of bullets a pitpull to pull it out
And automatically explode on motherfuckers until they mouth be closed permanently
You get burned until i quickly you can not hit me niggaz to terrified to come get me,
Tempt me if you think Swifty won’t send a slug, people run,
When the reaper comes, the repercussions’ gon’ leak your blood,
Inglewood, steepin’ without a weapon, you leave, you gone,
I’m still runnin’ with stolen toasters while on parole,
Snatch you out our home, like eviction notices hoe,
When I unload, I’m known to never leave witnesses to roam,
When I’m blowed, I’ll write the wicked in scroll,
At the toll, when I’m sober I’m prone to roll up and disconnect your soul, nigga.
[Kuniva]
Now it’s proven it’s about to be a misunderstanding
In furniture moving, bullets flying, lawyers & mothers suing
Cause niggas don’t know the difference, you bitches just stick to fiction
It’s sickening, you can’t even walk in my jurisdiction rippin’ it,
Grippin’ the pump and who wanna fuck with a walking psychopathic
Pyromaniac shady cats with 80 gats
And maybe thats the reason that you gon’ get it the worst a
And since you jumpin’ in front of everybody you gon’ get it first
I dispurse the crowd with something vigor and versatile
So go on and record you verses now while you got a mouth,
And it’s not a joke, it’s some kind of riddle,
Kunizzle will lift up a 12 gizzle and throw a party from my equittle,
And a glock that you stop you from waking,
Bullets’ll hit your liver, I’ll even shoot native americans,
A Indian Nigga, we back in you life and back in your wife,
Hit you in the back with a knife and get it crackin’ tonight.

Friday May 07, 2004 @ 01:00 PM
By: ChartAttack.com Staff
Beastie Boys
http://www.chartattack.com/damn/2004/05/0705.cfm
It’s clear that almost anything can set Eminem’s short fuse ablaze and cause the rapper to retaliate in his music. Once reserved for serious feuds in underground hip-hop, Slim Shady has carried the tradition of on-record dissing with him into the pop world, leaving artists (most of whom can’t rhyme their reply) confused by severe insults hurled their way over petty squabbles or small misunderstandings with the rapper. To date, so many high-profile artists and celebrities have been dissed by Em that they could get together and record a “We Are The World”-style benefit song for themselves. Over the last five years Moby, Christina Aguilera, Jermaine Dupri, *NSYNC’s Chris Kirkpatrick, Everlast, Britney Spears, Benzino, Pet Shop Boys, Canibus, Limp Bizkit, Dilated Peoples, Pamela Lee (twice), P. Diddy, Insane Clown Posse, Norah Jones, Ja Rule and Christopher Reeve (three times) have all found themselves on Eminem’s lyrical shit list.
So as Shady nears the end of the recording process of his fourth LP, one has to wonder ‘ who will he dis next? The Olsen Twins? Big Boi from Outkast? Christopher Reeve, just for something new? For those placing bets with their friends, Chart may be able to give you a hot tip on three potential candidates for Eminem’s next dis campaign: the Beastie Boys.
We caught up with Beastie Boys last week in New York City. The night before, they appeared on MTV premiering a clip of their ridiculous new video for “Ch-Check It Out,” the first single from their long-anticipated sixth album To The 5 Boroughs, set for release in mid-June. Later that night, Eminem and his band D12 also performed. Somewhere during the evening, Em stopped by the Beastie Boys’ dressing room to show respect to the white rappers who paved the way for him. There was a mix-up, which, for the Beastie Boys, could turn out to be deadly.
“It was actually funny, ’cause there was a little misunderstanding when he came to the dressing room,” explains the group’s MCA (a.k.a. Adam Yauch). “Because we’d been joking around, saying that we should have called our album Still Doin’ It, Huh? and we kept on saying that. And so, when Eminem came into our dressing room, he was like, ‘Yo, what’s up, just wanted to say what’s up to everybody” and we shook his hand and stuff. And then he said to us, like, ‘Still doin’ it, man, still doin’ it.’ And we all just burst out laughing. He kind of looked puzzled and walked out.”
“Nah, I don’t think he’ it wasn’t that big of a deal,” says Mike D (a.k.a. Mike Diamond).
“I wonder if he told his group,” MCA ponders.
“He must have a sense of humour…” Diamond speculates.
Marshall, if you’re reading this, before you go record an album’s worth of anti-Beastie Boys songs, please know that it was just a misunderstanding. Nothing more. Beastie Boys respect you. Really.
Says Mike D, “He definitely has his own way ‘ the way he switches his flows up. Very versatile MC.”

The 313
‘Now everybody from the 313, put your motherfucking hands in the air and follow me!’.
Continue reading “The 313”

The Detroit underground is rich of various talents and artists. Many Detroit underground emcees have collaborated with Eminem and his D12 crew. Let’s have a short look at four of them :
King Gordy
8 Mile lovers will probably remember the scene where rapper Big O (King Gordy) talks with DJ Bushman in the studio at the very moment when Jimmy discovers Alex cheating on him.
You gotta love King Gordy’s wicked style. The rapper, who defines himself as an ‘ entity ‘ has realeased his debut album called ‘ The Entity ‘ in 2003.
Sarcastically called by Eminem ‘ the fattest Burger Killer ‘, King Gordy’s style has something in common with Slim Shady. King Gordy talks about dark subjects like depression. He defines himself as the ‘ ghetto Edgar Allan Poe ‘, because his lyrics are very close to scary tales :
‘I’m hip hop with a rock and roll twist, the ghetto Edgar Allen Poe.’
King Gordy is real in his emotions and feelings and he wants to share what he’s going through with his fans:
“Sometimes I feel real violent, sometimes I feel real dark and depressed, and that’s what I write about usually.Especially if that’s what the beat’s calling for. I’m not happy, so I can’t make happy songs. My fans want to feel me, feel my emotions, feel what I go through.”
Artists from Shady Records such as Eminem, Bizarre and Obie Trice have collaborated with King Gordy. The songs ‘Situations’ (featuring Obie Trice), ‘Time To Die’ (featuring Bizarre of D12) and ‘The Mask’ are good examples of their artistic collaboration.
Bareda aka Mr Wrong
Bareda is native from Detroit and he started his career as a member of DaRabeez (Swifty Mc Veigh’s group).
He released the single ‘ Beat Don’t Stop ‘.
Bareda has collaborated with numerous atists such as Cee-Lo of the Goodie Mob, Twista, Ja Rule and Memphis Bleek.
He also went on tour with Outkast.
In 1999, Bareda joined the Lyricist Lounge Show as a writer and also as an actor. He used to live in LA, but since his return to Detroit City, he took the nickname ‘ Mr Wrong ‘. Bareda formed the Raw Collection with his fellow Swifty Mc Veigh from D12.
Uncle Ill
As his nickname points it out so well, Uncle Ill is one of the illest underground emcees of Detroit.
Uncle Ill began rapping at the age of 12.
As well as Eminem, Uncle Ill has been influenced a lot by Ice T.
He has worked with well known Detroit artists such as Kid Rock and Eminem.
Uncle Ill has collaborated with Detroit rapper MC Hush to create the group Da Ruckus. Uncle Ill has released ‘If The Beef’, ‘We Shine’ with Eminem and ‘Paperchase’ with D12’s Swifty.
Uncle Ill has collaborated with producer Mad Chemist and has recorded an album at Silent Records, a company that is directed by Marc Kempf (Eminem’s former manager).
Uncle Ill has some energic beats and a strong and entertaining voice.
‘When I heard the strength of Uncle Ill’s songwriting and production’ and his voice is better than ever, I knew this would be a hit.” (Marc Kempf)
DJ Butter
DJ Butter, born Barry Yett is a Detroit producer, CEO and a DJ at the same time.
His first album was called ‘ Kill The DJ ‘ and it featured numerous artists such Eminem, Paradime, Almighty Dreadnaughtz and Royce Da 5’9″.
DJ Butter started Djing when he was 12.
He used to be D12’s first DJ in 1999. He has produced more than 200 Detroit artists including MC Corona (the female MC who plays in 8 Mile), King Gordy and Obie Trice.
DJ Butter has released a hip hop documentary : a DVD that contains interviews of Eminem, Obie Trice and Slum Village.
“The documentary is about unity before money and after money.I just rap about my pain. I rap about bringing Detroit together. There’s a lot of chaos in Detroit.”
(DJ Butter)

The well known and dope MC’s from the D12 group used to meet and to rap at the Hip Hop shop at 7 Mile Road. They used to battle and to freestyle. At the hip hop shop, they met a gifted aspiring MC : Karnail Pitts aka Bugz.
Although he was inside of the D12 group, Eminem was supposed to stay a temporary D12 member and to make a few guest appearences in the goup. So it was arranging for the group to have found a sixth member, Bugz :
‘ The concept with Bugz being in the group, they had six emcees. I would make a guest appearence on a couple of records. ‘ (Eminem)
Bugz brought some energy and some new talent into the group :
“Bugz was at the shop, that’s how we met him. He was one of those young cats that every time he would spit, he would get better and better. Finally we were like, ‘Let’s put him in the group.’ We kept going through different group members’but when we finally made it click, it was with Bugz in the group. “(Eminem)
When Eminem launched his career and when ‘ shady records ‘ was created, he managed to get D12 their own deal :
‘ I got this deal with Shady basically for them, the group, not knowing if it was going to work or not. We was just rolling the dice. ‘
Then, sadly, on May the 21st 1999, Bugz got shot at Detroit’s Belle Island Park :
‘ Some guy was getting mad ’cause Bugz was getting the best of his boy [in the fight] and he couldn’t take it like a man. ‘ (Swifty Mc Veigh)
A bloody nightmare.
The D12 members were devastated when they heard the news :
‘ When Bugz died, it was such a shock. It just came out of nowhere. ‘
Eminem was supposed to perform the day Bugz was shot.
The D12 crew didn’t know how to go on with only 5 members.
Eminem asked the group if he could take Bugz’s place :
‘ Is it cool if I take Bugz’s place ? ‘
That’s how he became a permanent and official D12 member.
Eminem’s overwhelming success opened the doors to D12’s success. As a consequence, some people take Eminem for the lead singer of a band which is due to a total misunderstanding of the group’s context and rules.
Eminem is one gifted member of the dope rap group. Each member has his importance, his role and his talent to show to the public. Eminem is a proud member of the D12 family where loyalty means everything.

A mom is making desperate attempts to reconcile with her son. She is dying of breast cancer. A dramatic situation. This woman happens to be Eminem’s mom.
In a recent article from ‘The Mirror’, she claims: ‘I am dying of cancer but my son Eminem won’t pay to save me’:
http://www.mirror.co.uk/news/allnews/tm_objectid=14199665&method=full&siteid=50143&headline=i-m-dying-of-cancer-but-my-son-eminem-won-t-pay-to-save-me-name_page.html
Debbie loses weight every day. She faces banktrupcy over the medical fees for her cancer treatment. Moreover, she is heartbroken because her son Marshall remains angry with her.
Is Marshall a monster for leaving his mom alone in such dramatic situation? Certainly not. Marshall is an abused child who is still hurt by what his mom did to him when he was a kid. Of course, he has exorcised most of the demons from his past in songs like ‘Cleaning Out My Closet’, but deep inside he must still feel wounded. Many kids wouldn’t have overcome such circumstances. Luckily, Marshall did.
Some of his detractors often argue that Debbie is treated badly by her son Marshall because he’s a blatent mysogynist- which is untrue.
Debbie always wants to appear a a perfect mom in front of the media. Each time I have seen her on TV, her language clearly showed how much she wanted to prove which kind of good and overprotective mom she was towards her first son. The trouble is, many facts dement her statements as well as many people such as Kim and her former husbands and boyfriends witness the contrary.
So many people who used to live with Debbie or who knew her personnaly can testify how sick her behavior was.
Also, which mom would dare suing her own son for a total amount of 12 million dollars and then claim she never intented to sue him, that it was Kim’s fault?
‘I never intended to sue my son. The lawsuit was my attempt to hold on to my home. I’d given Marshall my trailer to rent when I moved back to Missouri. But Kim fell behind with the payments. I figured I had to sell it to pay the debt, but she wouldn’t let me. She threatened me with a lawyer, so I consulted one myself. Then the whole thing just escalated. The first thing I knew, I swear, was when Marshall rang me and said, ‘Mom, why are you suing me for $10 million?’ I nearly fell over. It was ludicrous. Then word got out and the world saw me as an evil bitch from hell. What mother sues her own son? I was cursed in public, spat at in shopping malls.’
Debbie always expected Marshall to apologize. Did I understand well? Yes, Debbie wants Marshall to apologize. For abusing him? For denouncing true facts about Debbie in his lyrics?
Maybe this is precisely where the problem lies: Debbie doesn’t want to admit her fault which is exactly what hurts Marshall so much and maybe the main reason why he doesn’t manage to forgive her:
‘See what hurts me the most is you won’t admit you was wrong…’ (Eminem, Cleaning Out My Closet’)
Many Eminem fans may think that Eminem doesn’t talk to his mom any more, but it is untrue. No matter how bad their relationship may be, they are both still in touch.
Debbie feels the urge to reconcile with Marshall, she is very conscious that her life may end soon. Despite all that happened between mom and son, Marshall needs to realize the emergency of the situation: his mom may die soon and it is always horrible to cope with the death of relatives without any sign of forgiveness. But Debbie, just one question: Why don’t you admit you were wrong with your son?
If you were honest enough to admit your mistakes, you’d recover the son you pretend to love so mu

The musicians who had a major influence on Marshall Mathers are Ice T, the Beastie Boys, LLCoolJ and Run DMC.
Ice T was Eminem’s first musical influence. When his uncle Ronnie brought Marshall the tape of Ice T’s ‘ Reckless ‘ Marshall was so much impressed with Ice T’s music that he made up the decision to become a rapper :
” That day I figured it’d be good to become a rapper.”
You gotta love Ice T’s wicked gangsta pimpy style. He is impressing as an artist and also as an actor.
More info about Ice T can be found on his official website :
http://www.icet.com/
” When I was 9 years old, my uncle put me on to the Breakin’ soundtrack. The first rap song I ever heard was Ice-T, ‘Reckless.’ From L.L. to the Fat Boys, and all that shit, I was fascinated. When L.L. first came out with I’m Bad, I wanted to do it, to rhyme. Standing in front of the mirror, I wanted to be like L.L.”
When Marshall met Kim, they were both listening to LL Cool J songs and dancing on them.
About the Beastie Boys, Eminem says :
“I would never fucking put them in a rhyme. I don’t even want them wondering if I was trying to dis them. I got a lot of love for them. I grew up on that shit. The other rappers, whatever.”
The Beastie Boy’s style is crazy, original and you will probably enjoy their sick videos that have a funny and wicked style at the same time.
You will learn more about them here :
http://www.vh1.com/artists/az/beastie_boys/bio.jhtml
It is also known that Eminem was a big NWA fan. He recalls about his first meeting with Dr Dre :
“It was an honor to hear the words out of Dre’s mouth that he liked my shit. Growing up, I was one of the biggest fans of N.W.A, from putting on the sunglasses and looking in the mirror and lip-synching to wanting to be Dr. Dre, to be Ice Cube. This is the biggest hip-hop producer ever.”
The listener who has studied a NWA tape has probably noticed how many rich its musical composition is :you will so many different black musical genres : soul, blues, jazz, reggae ‘
Since his uncle Ronnie has introduced him into rap music, Eminem’s dearest wish was to become a rapper. Rap ‘ and mainly gangsta rap- has been a real passion for him and has influenced him for a large part.
Of course, he has also been influenced by artists (who pretend that he has copied them, an easy way for them to escape to the bitterness of their unsuccess) like underground rapper Esham.
But his ear has always been opened for other musical genres like rock. Eminem appreciates artists like Aerosmith and his wish to sample one of his songs has become true with the creation of the song ‘ Sing For The Moment ‘.
Eminem’s quality is to be very creative and to be opened to different musical styles. He manages to combine and to improve the elements he chooses to use from his different influences. Since his debut career, Eminem’s albums have been in constant evolution, always improved in quality.
He is a word and sound technician. A perfectionnist who has had a major impact on the Detroit music history.

‘6 In The Morning’
You could hardly be indifferent to D12’s ‘ 6 In The Morning ‘. The D12 soldiers are ready to fight, more offensive than ever. Eminem introduces the song and he is determined more than ever to puch his assaillants’ face with his powerful words.
He and his crew can spit. His opponents can’t.
Eminem brings you back to the rules of rap music :
‘Maybe I’m old fashioned but my passion
Is to smash anyone rappin without havin a slappin
Believe me I’d much rather pick up a pencil than a pistol but I’m pissed now
But it all depends on just how far it get’s took on the mic
Cause I’m tellin you right now your not gonna like it
Cause if I get pushed over the edge then I’m pullin you with me
You poke a stick at a big boy you get bit B
These words stick to you like crazy glue
When you diss me cause they just bounce off me like bullets do fifty!’
The biggest trick in rapping is to smash people without getting slapped (verbally). You gotta be offensive in the way you spread your words. You enemy has to be weakened and unable to attack you in a powerful way.
The rythm of the whole song sounds like a warning for an upcoming fight.
Eminem can spit. His lyrics are offensive and well written because the talented MC knows the power of the words he uses at the right moment.
It would be really hard to beat the best battle MC.
And when he says: ‘I’m the beautiful-est thing and you gonna miss me when I’m gone’, I do realize how much people would miss him if he decided to quit the rap game.
Some conservative people still consider Eminem as a big threat and haven’t realized yet that his attacks come from a pencil, not from a pistol.
Swifty Mc Veigh targets the media who picture him as a ‘beef starter’. But the common rule in rap is also to separate the truth from the entertainment. So please don’t get mas when Swifty states:
‘Its in the media pitted me of a beef starter
In a party with heat it’s hard to keep me without one
Fuck slugs I’m walkin gloves with a shotgun…’
As soon as D12 gets some praise from the media, the group also gets a lot of negative criticism from intolerant people who picture them as a symbol of society’s decay.
But the D12 crew is well known for speaking its mind. Kuniva claims it: no metaphors to say ‘I don’t like you’:
“No need for metaphores I get yours across when I write
So emotions enough to say “fuck you bitch, and I don’t like you, WHAT!”
I might as well give this up like heavy sales
And just fuck an leave D12 and this blunt
We can’t self destruct
I’ve never felt it this much
Come on fellas, get up
We got to fight like Bugs last night of his life…”
You’d better be careful and watch your mouth, because Kon Artis may shoot you. Lyrically, of course.[Eminem]
Good mornin
Haha, wake your mother fuckin asses up
Yo what is the what?
Well come on then, you know what time it is
Stop sleepin on my roof bitch!
For whatever it’s worth it’s worth me havin my ass whipped
Cause I’ma have the last lift that ever gets ass squished
I just can’t get past these little pissants
That wanna be rauny bad asses so bad
And they so mad they can’t stand it
Cause we can and they can’t spit (Haawk)
And they can’t handle it like a man
And that’s when it just happens
And I snap and it’s a wrap, and it’s a scrap an then it isn’t crap is it?
Hip-Hop isn’t a sport anymore when you got to go and resort back into that shit
Maybe I’m old fashioned but my pashion
Is to smash anyone rappin without havin a slappin
Believe me I’d much rather pick up a pencil than a pistol but I’m pissed now
But it all depends on just how far it get’s took on the mic
Cause I’m tellin you right now your not gonna like it
Cause if I get pushed over the edge then I’m pullin you with me
You poke a stick at a big boy you get bit B
These words stick to you like crazy glue
When you diss me cause they just bounce off me like bullets do fifty!
I’m the beatiful-est thing and your gonna miss me when I’m gone
Like Kieth Murry when he threw a stool and hit a girl acci-dently (argghhh!!)
I do this for Swifty, Kon and Kuniva, Bizzy & Proof are you with me?
[Chorus: Eminem]
Come on an everybody come on an
Kick your shoes off mother fuckers come on an
Cause we get it on an till the break of dawn an
Wake your ass up motherfuckers quit yawnin
Cause we ain’t leavin till 6 in the mornin
So have sing along with the words to the song an
If you don’t know the words an you can’t sing along an
Fake like you know ’em motherfuckin join in
Everybody come on an
[Swifty]
Its in the media pitted me of a beef starter
In a party with heat it’s hard to keep me without one
Fuck slugs I’m walkin gloves with a shotgun
Constantly popin slugs they hot son, better not run
The bosses of all bosses a haluocaust to whoever ain’t concious
In a house full of dog shit,
I’ma gothic death project, you stop breathin
You die quicker than mach speed without bleedin
It ain’t about what you readin
When you meet me better speak like a season’s greetins
Either that or we’ll be beefin free when
You niggaz need a ‘E’ just to speak shit!
Your leader is a botique bitch
Keep the heater where you can reach quick
I snipe you with it and we won’t even keep it a secret
Nigga I did it from a mind of a mental patient
When glocks wave you can save that conversation for satan
You brave?
[Chorus: Eminem]
Come on an everybody come on an
Kick your shoes off motherfuckers come on an
Cause we get it on an till the break of dawn an
Wake your ass up motherfuckers quit yawnin
Cause we ain’t leavin till 6 in the mornin
So have sing along with the words to the song an
If you don’t know the words an you can’t sing along an
Fake like you know ’em motherfuckin join in
Everybody come on an
[Kuniva]
Yo yo I heard you niggas don’t like us
But so what this beef is like
‘What the fuck did he say in his rap Em?’
I can see that he’s just a punk
I mean these niggaz squeeze on me
Please I’m seeing guts
I don’t need no enemies, as my family a couple trucks
Am I empty seein them white I emtpy out them white to fight you
In front of every reporter that I don’t like
No need for metaphores I get yours across when I write
So emotions enough to say “fuck you bitch, and I don’t like you, WHAT!”
I might as well give this up like heavy sales
And just fuck an leave D12 and this blunt
We can’t self destruct
I’ve never felt it this much
Come on fellas, get up
We got to fight like Bugs last night of his life
[Kon Artis]
I walk with a limp, pistol hangin off-a the hip
I’m awkward and quick enough an sick when sparkin a fith
Your carcus is split even the beef is partially thick
We can’t take you serious, you a comedy skit
You probaly wish that you could be out shootin them G’s
But the only thing you shoot is the breeze
I can’t believe you speaking on movin key’s
But every time we hear you kick it
The only thing you sellin is wolf tickets
I look wicked cause niggas will test your nut sack
So when they bust you better bust back
And get your guts clapped outa your stomach
And when they want it (yeah)
I bring a hundred niggas from runave
So get your gun and if you comin
[Chorus: Eminem]
Come on an everybody come on an
Kick your shoes off motherfuckers come on an
Cause we get it on an till the break of dawn an
Wake your ass up mother fuckers quit yawnin
Cause we ain’t leavin till 6 in the mornin
So have sing along with the words to the song an
If you don’t know the words an you can’t sing along an
Fake like you know ’em motherfuckin join in
Everybody come on an

Guess who’s back ? D12 is back with a brand new album. An album that differs from ‘ Devil’s Night ‘ and that may surprise some D12 fans.
Of course, it is still offensive, thug styled with the well known Detroit underground flavor, but there is less ‘ beef ‘ inside than in the former album.
The most amazing tracks of the album are certainly ‘ Git Up ‘, ‘ 40 Oz ‘, ‘ 6 In The Morning ‘, ‘ American Psycho II ‘ and ‘ Good Die Young ‘.
The album may surprise you, but it won’t disappoint you . ‘ D12 World ‘ is supposed to be the second part of ‘ Devil’s Night ‘.
‘ In D12 World anything can happen at any time, ‘ Kuniva says. ‘ Devil’s Night was just an introduction, now it’s time for us to really go crazy. ‘
‘ My Band ‘, which is the most different track of the album and it has lead to a lot of misunderstanding since the release of the video. How many times have I heard that ‘ D12 has gone pop now ‘ ? How many times have I read on different websites that Eminem’s only wish was to dominate his crew and to appear as the only leader ?
If you actually think like that, you are very far from the truth.
In fact, what Eminem wants to point out the fact that he offen appears in the light of the media that give him total attention to the expense of the 5 other talented MCs of the D12 group. Many people still confuse D12 with a band like the Backstreet Boys.
In fact, the D12 offer an intelligent parody of the boy groups. Within the D12 group, there is no leadership. D12 is a story of friendship and loyalty :
‘ Although Eminem is the most prominent member of the crew, on this album the rest of D12 steps up and displays their skills. On D12 World , you can clearly hear we’re all dope MCs. ‘ (Bizarre)
6 emcees of D12 love and respect each other. Each of them has a unique talent to show to his public and each talent is exposed in the album.
You will be impressed by each of them, because they put a lot of work and energy into the album.
Listeners will enjoy Bizarre’s wicked and ill style, for sure.
If you have appreciated ‘ American Psycho Part I ‘, you will certainly enjoy ‘ American Psycho Part II ‘, featuring B. Real from Cypress Hill, who increases the wicked and scary atmosphere of the song .
Although my preference goes to ‘ Devil’s Night ‘, ‘ D12 World ‘ is really worth listening to.

D12’s New Album Out Tuesday
(LAUNCH, 04/26/2004 3:00 PM)
By LAUNCH Radio Networks
http://launch.yahoo.com/read/news.asp?contentID=217905
D12 will release their sophomore set, D12 World, Tuesday (April 27). The set features guest appearances from Obie Trice and B-Real and the production of Eminem, Kon Artis, Dr. Dre, Kanye West, Red Spyda, Sicknotes, and Trackboyz.
The group’s 2001 debut Devil’s Night was certified platinum for sales of a million copies. When LAUNCH spoke to group member Proof, he predicted that the group will sell twice as many records this time. He said: “I think we gonna double what we did last time. Not that I want to speak on it or jinx it or nothing like that but we gonna do real well. We didn’t plan on making this album to try to beat the last album. We just went and did what we normally do with the formulas that we got.”
Proof also explained that the new album is very diverse and it covers topics that the group didn’t address on their debut. He said: “It’s a very diverse album and it covers what we did last time and with the growth of it, it’s gonna cover a lot more ground that we didn’t get to cover last time.”
The lead single from D12 World, “My Band,” is currently Number Eight on the Billboard Hot 100 singles chart.